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If there's anyone that can can get a painter (re-)excited about
painting, it's Troy Hagenbart. This fist solo of his in Boston
includes work that explores the idea of staging- up, down, and
center...these near-stick figures appear in incomplete landscapes,
asking the question: "how much information is needed to
convey something?"
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this etching is a view of the backside of Boston's own Museum
of Fine Arts, complete with graffiti..."BONNETS' it says belows
the columns (hard to see but it's there)
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in this larger work, figures seem to be waving at
each other from across dimensions: one in the
space of the fiction, one in the reality...
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the story continues on the edges...
Troy Hagenbart @
MPG Gallery
450 Harrison Ave.
Boston
through March. 1
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